Wednesday, April 17, 2013

Get to Know: Mezzo-Soprano Sandra Piques Eddy


Sandra Piques Eddy rehearses at The Atlanta Opera Center for the upcoming production of The Italian Girl in Algiers.

Sandra Piques Eddy was last seen on the Atlanta Opera stage in 2008’s The Marriage of Figaro.  She returns to Atlanta to sing the role of Isabella in the Opera’s upcoming premiere production of The Italian Girl in Algiers.  We sat down with Sandra to learn more about her, her love of Pinterest, and who she has dance parties with while listening to ABBA!

Where do you live when you're not traveling?  
My husband, daughter and I recently moved into our first house in Dedham, Massachusetts, a small city outside the Boston area.  I grew up near Boston and went to school there too, and we both have family in Massachusetts. 

What was your first opera experience?
My first opera experience was at Boston Conservatory.  I was a music education major and I was dating a voice major (my husband, Bill) who was in the chorus of the Opera Department's production of Purcell's Dido and Aeneas.  Originally, I was attending the opera to see and tease Bill about being in a toga, but I got so much more out of the experience than I bargained for!

Why did you choose to be a singer?  
I love losing myself in the music and the drama of an opera.  My love of music and drama started when I was a teenager and I was obsessed with musicals like West Side Story, Les Miserables and Hello Dolly.  I didn't decide to become a singer until much later.  I didn't realize I could actually earn a living singing, playing make believe and dress up until I started getting roles and performance opportunities outside of college. 

What's the best thing about this profession?  What's the worst thing?
The music itself is really the best thing.  I get goose bumps even in rehearsals or practicing.  When music hits you in a visceral and intense way, it is just incredible.  I love communicating through music and drama to the audience.  The worst thing is missing family and sometimes missing important life events like weddings, graduations, etc.  Luckily, my family has been supportive since day one.   I try to get as much family time in when I can.

What has been the biggest challenge in your performance career? 
It changes all the time.  One of my goals is to get completely into the character in order to have the freedom to take risks on stage.   I also strive to react to circumstances and characters as if it is the first time I've ever heard or done the scene before in order to keep the action, reaction and text fresh and alive and buzzing.

Do you still get nervous when you have to perform? 
Yes, but I believe this is an indication that I really love what I do and I want to serve the music as best as I can.  Also, I try not to say "nervous", I like saying "excited" instead.  This sounds more positive

What do you like to do when you're not singing? 
I like catching up with family and friends.  I love hosting brunches!  Since we just bought a house two months ago, I love decorating and organizing our new home and spending too much time on Pinterest!! 

If you were not a singer, what would you be?  
I used to be an elementary and middle school music teacher for three years in Needham, Massachusetts before getting my masters in voice performance at Boston University.  I also love teaching master classes to young singers.  I've done about ten in the last three years.   I enjoy seeing the light bulbs go off and I love seeing the sense of pride in singer's faces.

Obviously you travel extensively in this profession. What has been your best travel experience? What has been the worst?
The best travel experience was singing in Hawaii in February of 2008.  I had a great role in Gounod’s Romeo et Juliette.  I sang Stefano, the page boy.  He had one fabulous aria, an intense sword fight and sang in some of the most beautiful chorus music in opera...and that was it!  I had so much time to explore and experience Hawaii.  My cast mates and I became very close there.  It was an incredible experience and we still have a strong bond.  

The worst travel experience was actually the last time I was here in Atlanta!   I had sharp shooting pains on my right side while I was on the plane and could hardly sit up straight.   The lovely opera patron, Sara, who picked me up that afternoon at the airport had to take me to the ER right away from the airport.  I was in so much pain at that point I actually started crying.  There was a woman there with a patient who saw how much pain I was in and she started talking with me.  I know this sounds a bit dramatic but she was truly like an angel!   She was there with a man who had a sport's injury.  I was there until 2 a.m. and it turned out I had a kidney stone.  Those are not fun.  BUT the silver lining is I met lovely Sara, who stayed with me the entire time, and the couple who was there in the ER and I are still in touch since then.  They attended the dress rehearsal of The Marriage of Figaro and I recently emailed them about The Italian Girl in Algiers, so I may see them again.  So, something very positive came out of the most negative travel experience! 

If you were stranded on a deserted island, what three albums would you want on your iPod?
Oooh I don't think I could possibly narrow this down.  This would change all the time!  My three-year-old daughter and I have dance parties in her room all the time so we'd have to have some Michael Jackson, ABBA and Bob Marley on there.  Lately, I've been obsessed with the artists Glen Hansard and Marketa Irglova.  I'm dying to see the musical Once on Broadway.  I loved the movie.   But, my goose bump music is Handel and Mozart.  So I'd have a very eclectic iPod mix, I think....



Sandra Piques Eddy will be singing the role of Isabella April 27, 30 and May 2 and 5, 2013 in the Atlanta Opera’s production of The Italian Girl in Algiers.  Visit atlantaopera.org for more information and to purchase tickets.


Sandra Piques Eddy works with director Helena Binder and assistant stage manager Gregory Boyle.


Usage of any images on this blog is restricted to The Atlanta Opera and approved news websites. Any other usage, particularly for professional purposes, must have written permission. For additional information, please contact The Atlanta Opera's Marketing Department at 404.881.8801.

Thursday, January 31, 2013

24HOP.... the Run Down...

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In case you missed the SHOWCASE or LIVE WEBCAST of the Atlanta Opera's third annual 24-Hour Opera Project, here is a quick and dirty recap!


This year's theme was: "CONVINCING CONFESSION"


Throughout the process, participants made CONFESSIONS OF THEIR OWN. Here are some highlights...














CHECK OUT MORE ON YOUTUBE!



WABE's John Lemley did a FANTASTIC job hosting this wild and crazy event. And the judges judged with great judgement! A special thank you to:

Ned Canty, General Director, Opera Memphis

Lee Anne Myslewski, Director of Artistic Administration, Wolf Trap Opera 
and Classical Programming
Ann Owens, former Executive Director, Houston Grand Opera

Lara Smith, Managing Director, Dad’s Garage
Jill Vejnoska, Features Writer, Atlanta Journal-Constitution



JUDGES' FAVORITE was (drumroll, please)...




"THE PUDDLE OF YOUTH"

Composer: NATALIE WILLIAMS. Librettist: VYNNIE MELI. Directed by: MATTHEW OZAWA. Music Direction by ERIN PALMER. Stage managed by: JESSICA DRAYTON. Singers: ARSENIA SOTO and BRANDON ODOM.... and a special guest. Inspiration props were: opera glasses and an elixir bottle.



AUDIENCE FAVORITE was (drumroll, please)...



"BEACH AND MOAN"

Composer: EVAN MACK. Librettist: WILLIAM SAMUEL BRADFORD. Directed by: KRISTIN KENNING. Music Direction by ROLANDO SALAZAR. Stage managed by: CAMILLE STREET. Singers: JAYME ALILAW, MITCHELL JONES, and MEL LEROY. Inspiration props were: a coconut and a camera.




BUT, WAIT.... there were more AMAZING creations!





"SILENCE ON THE HOMESTEAD"


Composer: DOUGLAS PEW. Librettist: CHADWICK HAGAN. Directed by: BEVERLY BLOUIN. Music Direction by GEOFFREY LOFF. Stage Managed by DAWN HEELY. Singers: MEGAN BRUNNING, MICHAEL FRANCIS EDWARDS, and IVAN SEGOVIA. Inspiration props were a mirror and bell.







"HAUNTED"
Composer: JAMIE LEIGH SAMPSON. Librettist: MADELEINE ST. ROMAIN. Directed by: MICHAEL NUTTER. Music Direction by CATHERINE GIEL. Stage Managed by: DELLY FEARS. Singers: MICHAELE POSTELL, LAURIE TOSSING, and JONATHAN SPUHLER. Inspiration props were: a champagne bottle and lantern.







"THE TRIANGLE"


Composer: ROBERT BUTTS. Librettist: ELLEN FRANKEL. Directed by: RICHARD GAMMON. Music Direction by PAUL TATE. Stage Managed by: CAMILLE STREET. Singers: ANNIE BURTON, ANNE STILLWAGON, and STEPHEN McCOOL. Inspiration props were: an iron and a bouquet of flowers.





TO SEE PHOTOS FROM THE EVENT, GO HERE...



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SEE YOU ALL NEXT YEAR!



Usage of any images on this blog is restricted to The Atlanta Opera and approved news websites. Any other usage, particularly for professional purposes, must have written permission. For additional information, please contact The Atlanta Opera's Marketing Department at 404.881.8801.

Thursday, January 17, 2013

Opera, live from your living room...


The 7-10 minute creations from the 24-Hour Opera Project (24HOP) will be performed in front of a live “studio audience," but there are some of you who can’t be in Atlanta, and there are some of you who just want to be able to put your feet up, make some popcorn, crack open a beer, and quietly enjoy some opera with your dog at your side!

For those of you who can't make it to the showcase, you will still have the opportunity to see the event online via LIVE WEBCAST. On January 26 at 7:00 p.m., you can TUNE IN to the Atlanta Opera's LIVESTREAM channel or to atlantaopera.org.

The link to the webcast will also be posted to Twitter (@TheAtlantaOpera) or our Facebook page.

Along with watching the event unfold live, webcast viewers can also vote for "Audience Favorite."

You will be able to cast your vote via a BIG, GIANT "VOTE HERE" button on our homepage at atlantaopera.org or on our LIVESTREAM channel.

WATCH HIGHLIGHTS from past 24HOPs . . . and don't forget to TUNE IN!








Usage of any images on this blog is restricted to The Atlanta Opera and approved news websites. Any other usage, particularly for professional purposes, must have written permission. For additional information, please contact The Atlanta Opera's Marketing Department at 404.881.8801.

Sunday, January 6, 2013

Your friend (or kid) is participating in the Atlanta Opera’s 24-Hour Opera Project! Pass it on. . .




We’ve all known them... Those friends who can’t go out with you because they have rehearsal, or they have to practice, or they are locked away in a room with a midi for three days straight, or they have to attend a master class with an obscure counter tenor from Bulgaria.

These pursuits of passion have always been a little bit of a mystery to you, but you have loved and supported your friends anyway. Why? Because they love opera, and it’s contagious! And, who knows? When they make it big, you can say, “I knew them when…”

Here’s your chance to show the love for their hard work in this quirky, crazy, fast-tracked opera phenomenon called the 24-Hour Opera Project, in which composers, lyricists, stage directors and opera singers from all over come together to create opera in just 24 hours!!

You can also VOTE online for AUDIENCE FAVORITE at atlantaopera.org.

And, even if you don’t know any of these people, and just love, or are curious about opera, join us or tune-in to the LIVE WEBCAST!

Kickoff Event
Friday, January 25 at 5:00 p.m. at First Presbyterian Church of Atlanta


Showcase Performance and Live Webcast
Saturday, January 26 at 7:00 p.m. at The Atlanta Opera Center

Both events are FREE and open to the public.


GOOD LUCK TO ALL OUR FEARLESS AND TALENTED PARTICIPANTS!


Composers
Jamie Sampson, Bowling Green, OH
Douglas Pew, Crestview Hills, KY
Evan Mack, Albany, NY
Natalie Williams, Athens, GA
Robert Butts, Rockaway, NJ

Librettists
Ellen Frankel, Philadelphia, PA
Madeleine St. Romain, Atlanta, GA
Samuel Bradford, Roswell, GA
Chadwick Hagan, Atlanta, GA
Vinnie Meli, Marietta, GA

Singers
Jayme Alilaw, Atlanta, GA
Michaele Postell, Acworth, GA
Emily Byrne, Durham, NC
Ivan Segovia Jonesboro, GA
Stefani Dunn, Marietta, GA
Mitchell Jones, Cumming, GA
Michael Francis Edwards, Stockbridge, GA
Kristin Vienneau, Roswell, GA
Arsenia Soto, Durham, NC
Megan Brunning, Suwanee, GA
Brandon Odom, Atlanta, GA
Jonathan Spuhler, Atlanta, GA
Mel Leroy, Macon, GA
Annie Burton, Chicago, IL
Joshua Bartolotti, Waleska, GA
Stephen McCool, Duluth, GA
Laurie Tossing, Lawrenceville, GA

Stage Directors
Beverly Blouin, Atlanta, GA
Richard Gammon, New York, NY
Matthew Ozawa, New York, NY
Kristin Kenning, Birmingham, AL
Michael Nutter, Atlanta, GA


And we welcome five incredible accompanists who will serve as Music Directors, all from the Atlanta area.

Goeff Loff
Catherine Giel
Erin Palmer
Rolando Salazar
Paul Tate

Erin Hartley and Lukas Valderrama will be Video Production Interns, assisting Dave Stevens of Stevens Interactive Productions produce the live webcast. They will also be charged with gathering footage throughout the 24 hours.


WHAT IS THE 24-HOUR OPERA PROJECT?

Composers and lyricists are randomly paired together, and will have 12 hours to write a 7-10 minute opera. At the end of 12 hours, the pieces will be assigned to a stage director, who will draft singers from a pool of applicants, and have eight hours to rehearse, before presenting the scenes in a showcase concert 24 hours after the project begins.

The final results will be presented in a live performance and webcast hosted by WABE’s John Lemley.

The mini-operas will be evaluated by a panel of performing arts industry leaders, and prizes will be awarded to the winning team, with an additional prize going to the audience favorite. Both the kick-off event and the showcase performance are FREE and open to the public.

The judges are…

Ned Canty, General Director, Opera Memphis

Lee Anne Myslewski, Director of Artistic Administration, Wolf Trap Opera 
and Classical Programming
Ann Owens, former Executive Director, Houston Grand Opera

Lara Smith, Managing Director, Dad’s Garage

Jill Vejnoska, Features Writer, Atlanta Journal-Constitution

For more information, please call 404-881-8883 or e-mail education@atlantaopera.org.

View Highlights From the 24-Hour Opera Project 2012 >>

The Atlanta Opera 24-Hour Opera Project is made possible by generous support from Turner Broadcasting System, Inc. and Turner Voices.

Members of the public interested in providing additional financial support for the 24-Hour Opera Project can contribute through the Power2Give.org Matching Grant Donor Program. Every $1 you give to the 24-Hour Opera Project will be doubled. Visit Power2Give.org for more information.

Support the 24-Hour Opera Project >>










Usage of any images on this blog is restricted to The Atlanta Opera and approved news websites. Any other usage, particularly for professional purposes, must have written permission. For additional information, please contact The Atlanta Opera's Marketing Department at 404.881.8801.

Tuesday, November 13, 2012

A Photo Essay of the World’s Most Dysfunctional Relationship

By Natalie Creamer

On Saturday, November 10, The Atlanta Opera opened its 2012-2013 season with Carmen, Georges Bizet's timeless tale of a love triangle gone horribly awry. In case you have not seen it, or to refresh your memories, here is a photo essay that recounts Carmen's final days. Oh, the drama...


Micaëla (Melissa Shippen) enters Act I searching for her fiancée Don José. Resting outside the guardhouse with his men, Corporal Moralés (Scott Hogsed) charms the young girl with a flower.

The children of Seville cheer at the arrival of the brave toreador, Escamillo.

As the midday bell rings all eyes fall on Carmen (Maria José Montiel ) as she makes her entrance outside the cigarette factory doors. The men are spellbound by her beauty and flirtatious demeanor.

Mezzo-soprano Maria José Montiel sets the artistic tone of Georges Bizet’s Carmen as she captivates the crowd singing the world famous “La Habañera.”

Enchanting almost all with her singing of “La Habañera,” Carmen catches the attention of soldier Don José (Fernando de la Mora) as she throws a rose at him before returning to the factory.

The cigarette factory girls laugh together as they and Carmen tease the guards standing on duty.

After a dramatic torchlight procession announcing the arrival of Escamillo (Aleksey Bogdanov), Carmen flaunts herself before the others, and attracts the handsome toreador. Carmen maintains a remote façade and refuses Escamillo’s advances.

After joining the smugglers, El Dancaïro (Adam Cannedy) and El Remendado (Adam Kirkpatrick), the three gypsy girls, Carmen, Mercédès (Kaitlyn Costello) and Frasquita (Amanda Opuszynski), celebrate their treasures from a successful contraband expedition.

Shortly after dancing the flamenco, Carmen convinces her lover Don José to stay with her, and ignore his orders to return to the barracks. The retreat sounds, and Carmen hopes Don José will follow her into the mountains to Lilla Pastia’s tavern.

Doomed lovers, Don José and Carmen, lay down and embrace in despair, wishing there were a way they could be together.

Carmen pleads with Don José to ignore the bugle and flee with her and the other gypsies into the mountains. The lovers desperately cling to one another.

Carmen welcomes Don José to her tribe of gypsies and smugglers. Don José begins his transition from soldier to smuggler.

Gyspsies, Frasquita and Mercédès, read their own good fortunes and dream about what their futures will bring.

Mercédès, Carmen and Frasquita sing after having had their fortunes read.

While Don José abandons the army to join Carmen and the smugglers, Micaëla wanders through the mountains looking for her lost fiancé. She hopes Don José will come back to her after sharing the news of his sickly mother.

A large crowd assembles in the stands as they await the famous Escamillo at the bullring.

In a bullring in Seville, children wave flags cheering at the entrance of the famous toreador, Escamillo.

The colorfully decorated flamenco dancers, transformed into toreadors, perform in the arena prior to Escamillo’s entrance.

Children standing in the bullring arena sing and yell in excitement as their hero, Escamillo, makes his grand appearance.

The wildly popular Escamillo entertains the crowd as he lures a bull into the arena.

In the final scene of Act IV, Carmen refuses Don José and tosses his ring. Then, she sings her last words.

Tickets are availabe at atlantaopera.org.


All photos are courtesy of Jeff Roffman Photography, LLC.

Usage of any images on this blog is restricted to The Atlanta Opera and approved news websites. Any other usage, particularly for professional purposes, must have written permission. For additional information, please contact The Atlanta Opera's Marketing Department at 404.881.8801.