Opera at Warp Speed!

By Ellen Sturgill

Are you dying to break into the opera world? Have you been wishing for an opportunity to showcase your music, talent, and skills? Would you love to be a reality TV star like Snookie, Donald Trump, and the Kardashians? Well, we can't really help you with that last aspiration, but here at The Atlanta Opera, we have the perfect opportunity for those of you looking to let your voices be heard! Presenting the second annual...

The 24-Hour Opera Project was created to promote outreach and awareness by encouraging the community to become involved in opera. This event also gives composers, lyricists, directors, and singers an opportunity to showcase their art for the public. Those selected to participate will be randomly partnered in teams, given a theme for their opera, and then let loose for 24 hours to create a one-of-a-kind production. The creative process will be filmed, so you can be a part of all the action! There will also be a "Confession Cam," similar to your favorite reality TV shows. After the 24 hours is over, the teams will present their operas to a panel of judges, a public audience, and a live webcast. Prizes will be awarded for the Judge's Choice, as well as an Audience Favorite.

A scene from last year's Audience Favorite, Scrub-A-Dub Raw. © Tim Wilkerson

Why am I feeding you all this information? Because there is still time to join the fun! Composers, lyricists, directors, and singers have until December 21 to apply by visiting our website. Take advantage of this amazing opportunity to spend 24 hours with people who love opera, who enjoy being creatively challenged, and who simply want to have a blast!

Atlanta Opera staff and last year's 24-Hour Opera Project participants. © Tim Wilkerson

The videos and images in this article are from last year's event, and will give you a glimpse of the excitement to come! Enjoy!

Bass Larry Frazier, tenor Charles Baugh, and mezzo-soprano Sharon Blackwood rehearse A Toast for all Toasts. © Tim Wilkerson

Video of the launch party for last year's event. © Cherokee Rose Productions

The infamous "Confession Cam." © Cherokee Rose Productions

Usage of any images on this blog is restricted to The Atlanta Opera and approved news websites. Any other usage, particularly for professional purposes, must have written permission. For additional information, please contact The Atlanta Opera's Marketing Department at 404.881.8801.

A Sneak Peek of Rabbit Tales!

By Ellen Sturgill


Just last week, I was able to watch a dress rehearsal of Rabbit Tales! And let me tell you, it was one of the best I've ever seen! I laughed, I enjoyed great music, and I even got to cluck like a chicken! This show is creative, clever, heartfelt, and incredibly funny.


After last week's blog about the show from the point of view of the performers, it was exciting to watch them bring their answers to life. I was able to understand how the show was different from a mainstage opera, why it was taxing musically and physically, and most importantly, why they loved the show so much.


Below are some pictures from the rehearsal and of the cast and crew. If you haven't already planned to spend a beautiful afternoon at The Wren's Nest for the official world premiere of Rabbit Tales, these snapshots and our previous blog entries will inspire you to add the performance to your calendar!

Teenchy Duck (sung by Elexa Bancroft), Sister Fox (sung by Elizabeth Claxton), Br'er Rabbit (sung by Welsey Morgan), and King Lion (sung by Wade Thomas).

Accompanist Catherine Schaefer and director Park Cofield join the cast.

This picture includes the cast, and one of the great interaction cards for the audience! By utilizing these cards, Rabbit Tales is able to reach out to young audiences and inspire them to participate and join the fun! During the show, children get to clap, be gusts of wind, cluck like a chicken, and feel like they are not just watching an opera, but are in it.

And just to let you know, these parts aren't just fun for kids. They're also a great time for grown-ups, too! Those of us watching the dress rehearsal were in stitches the whole performance, and loved showing off our clucking skills!

The Rabbit Tales cast and director are joined by composer Nicole Chamberlain and librettist Madeleine St. Romain.

If you would like to have Rabbit Tales come to your school, check out the Atlanta Opera website for more information. We promise this show will be a lot of fun!

Usage of any images on this blog is restricted to The Atlanta Opera and approved news websites. Any other usage, particularly for professional purposes, must have written permission. For additional information, please contact The Atlanta Opera's Marketing Department at 404.881.8801.

24-Hour Opera Project... in 25 hours!

Daylight savings time is only annoying when you're not trying to create, produce, and perform a 10 minute opera in 24 hours! That extra hour meant the mayhem and joys of the creative process could last a little longer, and we all could revel in good ole' fashioned fun -- with a hint of drama and a few death scenes... oh, and a rubber chicken.

You've probably heard by now that The Atlanta Opera embarked on a little experiment called the 24-Hour Opera Project. Composers, lyricists, stage directors and opera singers from all over the country -- randomly put into teams -- had 24-hours to compose, stage and rehearse a 10-minute opera. The theme was “Family Reunion” – an appropriate topic for opera, don’t you think?

The project was created for National Opera Week, OPERA America’s annual celebration of opera. Opera companies across the United States were charged with ways to actively engage their respective communities with events and concerts that can expose new audiences to opera. We think we were quite successful in this calling.

With the help of many, many enthusiastic partners, staffers, volunteers, media, and our panel of celebrity judges, we conducted an experiment we may just want to try again! So keep in touch, will ya'? Maybe next year you can join us!

Below is a recap of the 24-Hour Opera Project... in 25 hours!

Bass Larry Frazier, tenor Charles Baugh, and mezzo-soprano Sharon Blackwood rehearse their black comedy, A Toast for all Toasts.

Stage director Bari Newport rehearses Eye of the Needle with bass J. Robert Adams.

(left to right) Mezzo-soprano Andrea Green, tenor Dennis Shuman, soprano Vivian Clifton and Stage Director Beth Suryan rehearse a scene from Scrub a Dub-Raw, a country reunion gone horribly awry.

Mezzo-soprano Andrea Green, tenor Dennis Shuman, and soprano Vivian Clifton perform Scrub a Dub-Raw.

Soprano Jennifer Zuiff, bass Larry Frazier, tenor Charles Baugh, and mezzo-soprano Sharon Blackwood perform A Toast for all Toasts.

The cast and creators of A Toast for all Toasts receive their prize. The recipients are: Valerie Pool (accompanist), Chadwick Hagan (lyricist), Jennifer Zuiff (soprano), Patrick McColery (stage director), Sharon Blackwood (mezzo), Marie Incontrera (composer), Larry Frazier (baritone), Charles Baugh (tenor)

The creators and singers of Scrub a Dub-Raw receive their prizes for “Audience Favorite.” They are (clockwise from left) Beth Suryan, director; Nicole Chamberlain, composer; Andrea Green, mezzo-soprano; Vynnie Meli, librettist; Dennis Shuman, tenor; Vivian Clifton, soprano; Stephen McCool, baritone; Catherine Schaefer, accompanist/music director (not pictured).

The “Judges' Favorite” Award went to Eye of the Needle, an opera about a “family reunion” in the “dust bowl.” Pictured here are (front row, from left) Robert Adams, bass-baritone; Catherine Striplin, accompanist/musical director; Bari Newport, director; (back row, from left) Dennis Hanthorn, judge, Zurich General Director of The Atlanta Opera; Nicole Jones, emcee, Editor in Chief for Atlanta PlanIt; Sondra Collins, soprano; Bart Gilleland, baritone; Karen Wyatte, mezzo; Curtis Krick, librettist; Lois Reitzes, judge, Program Director, host of Second Cup Concert and ASO Broadcast, WABE; Dwight Coleman, judge, Director of the School of Music, Georgia State University; (not pictured) Edwardo Perez, composer.