Bass Curt Olds is a world-renown singer and performer. He's covered many roles in Gilbert & Sullivan's greatest works, most recently in our mounting of The Pirates of Penzance. We went backstage with Curt to watch his transformation into the Major-General and to learn more about his process, pre-performance rituals and tips for getting into character.
I always hate the process of putting on heavy wigs and makeup for a production, but I love the look afterwards. The adhesive, spirit gum or mastix, is sticky like syrup and burns a bit upon application. I performed for a couple of years in the Broadway musical CATS, which was probably the heaviest make-up/wig show I've ever done. One trick I use as Major-General is to split the mustache into two pieces so it will allow my mouth to move without trouble.
The Major-General is unique because your biggest song is both your first moment on stage and extremely well known. When arias like this come right out of the gate for a character (like Figaro in The Barber of Seville) the performer has one shot to get things right. Patter songs (I do many of them in the repertoire I perform) are always demanding, but the Major-General's song is extra hard due to it's fame and it's location in the show.
No matter what role I am performing, I like to take a little time in my dressing room before I get into costume and makeup and go through the whole show at a quick pace. I usually keep all my notes together that I have been given by directors, conductors, and coaches, and I go through that list, as well. With the Major General, I usually have time to run the lyrics to the song one more time before my entrance, which I always think is a smart idea. No matter how many times I do a role, I still review using this method to make sure I am not taking anything for granted. Every time I review, there is something that I catch that might have been missed in performance.
I'm a big coffee drinker, so I usually will grab a cup of coffee as I head to the theatre. I also like to stay social, so when time allows, I like to prop my dressing room door open so I can keep in the vibe of the show, visit with colleagues and wish them well. I started out as many performers do, working in cramped-quarter theatres and I like to keep in the group frame of mind with Gilbert & Sullivan, which requires a connection from the largest role to every ensemble member for success.
This is my 15th production of Pirates (8 Pirate Kings and 7 Major Generals). Next up I will do my 24th production of Ko-Ko in Mikado, which is my favorite role of all. I love this rep so much and I am happy to see opera and theatre companies include it in standard rep. Despite it being viewed as a guilty pleasure by so many opera patrons, it usually sells out and many times companies add performances because of demand. That speaks volumes.
It's been such a pleasure to perform with Atlanta Opera and I have had a great time in this city. This cast includes some of my very close friends and I think Tomer Zvulun has assembled a brilliant group of singing actors perfectly suited for this type of show. I look forward to see what exciting things are coming for Atlanta Opera audiences and I hope I have the opportunity to return again soon.
All photos by Vicky Legaspi.
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